Atmospheric electronics built for the breakdown

  • Alt Textures contains the culmination of Jordan Fish's last decade of sonic experimentation.
  • A focused collection of 200+ mix-ready presets, engineered to sit effortlessly in all productions.
  • Included audio and MIDI effects to shape, destroy, and refine sounds without ever leaving the plugin.
  • No theory roadblocks, and no creative dead ends. Designed to carry your ideas further, faster.

The architect of the new heavy

There’s a reason an entire generation of producers chases the sound Jordan Fish pioneered. As one of the sonic architects behind Bring Me the Horizon’s meteoric rise, he fused dense electronic layers with raw, full-band aggression - crafting a hybrid production style heard by hundreds of millions and cementing his place as the definitive voice of the “heavy-pop” crossover.

His production fingerprints live on records by Poppy, Architects, Evanescence, Halsey and beyond, setting the global standard for stadium-sized production and cinematic intensity.

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The New Heavy

Written and produced by Jordan Fish, The New Heavy is filled with sounds and textures ranging from 90s dnb, and 2000s nu-metal to pop-driven melodies and earworms. Driven by arps from Elated Rounds and Approaching Rave for gritty leads.

Moon Boots

Written and produced by Misha Mansoor, Moon Boots powerful groove allows for Alt Textures to shine. From the mesmerizing arps of Blink Twice Reset to the unsettling and addictive melodies from Barley Intonated.

Prong

Live wire. A sharp, pulsing texture forks bright stabs across the stereo field over a deep, detuned sub anchor — kinetic and full of static charge. Single instance of Alt Textures, with no additional processing.

Indian Ocean

Warm currents. A gently rolling melody flows — calm, oceanic and unhurried. Single instance of Alt Textures, with no additional processing.

Bad Cinema

Grindhouse pulse. A steady, gritty low-end arp drives forward with B-movie menace, bright edges flickering over a dark, insistent rhythm. Single instance of Alt Textures, with no additional processing.

Crystal Maze

Glass labyrinth. Bright, bell-like tones ring out and wander through open space, crystalline and clear. Single instance of Alt Textures, with no additional processing.

Brass Eye

News at the abyss. A bold, brassy drone blares from the low end in sparse, sustained swells — gritty, commanding and faintly ominous. Single instance of Alt Textures, with no additional processing.

Somebody Else's Dream

Borrowed reverie. A steady, hypnotic arp drifts in dreamlike loops, warm and melodic, dissolving into a slow fade. Single instance of Alt Textures, with no additional processing.

Sub Shock

Pressure drop. A heavy, driving sub pulse sits dead-centre and low, fast and physical, built to move air and rattle the room. Single instance of Alt Textures, with no additional processing.

"I work fast when I'm producing, so it's become a go-to when I want quick inspiration. Rather than surfing through sounds or building one from scratch, it's a shortcut to writing music.”

The real signal

Every sound inside Alt Textures began as a signal captured from analog hardware synthesizers, cutting-edge digital engines, and hybrid rigs running through the same signature processing chains Jordan employed across platinum records.

From saturated analog oscillators pushed through hardware effects to precisely sculpted digital textures processed with Jordan's proprietary techniques, every source carries the weight, movement, and character of records that have collectively redefined a generation.

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Made to cut through

Alt Textures is a masterclass in sound design, placed directly at your fingertips.

Featuring over 200 presets meticulously crafted by Jordan Fish, every patch is mix-ready and engineered to cut through dense, guitar-heavy arrangements without fighting for space.

Exclusive contributions from Grammy® nominated mixer-producer Zakk Cervini, renowned composer Mick Gordon and Bad Omens’ Noah Sebastian expand the palette with polished aggression and dark, atmospheric tension.

Arena leads

Cutting, mix-forward synth lines engineered to soar on top of heavy mixes. Bright, screaming, and impossibly wide. The high-frequency ear candy that gives a chorus its epic scale.

Seismic subs

Chest-caving sub-bass patches tuned for breakdowns, drops, and moments of maximum impact. From clean sine-wave fundamentals to distortion-forged, speaker-rattling low end.

Cinematic pads

Atmospheric, evolving textures that transform a four-chord progression into something otherworldly. Designed to fill the space between the instruments without crowding them out.

Rhythmic machines

Percussive, arpeggio-driven patterns locked to tempo. Driving, kinetic, and aggressive - the kind of synth parts that don't support the riff... they are the riff.

Controlled chaos

Alt Textures is the culmination of Jordan's last decade of sonic experimentation, featuring five custom audio effects modules built specifically for this instrument.

Integrated tape saturation and bit crushing push tones from pristine to hostile.

A purpose-built modulation section delivers the sweeping tension that's become a signature of Fish's productions.

Modulated delay and spatial reverb modules are tuned to sit naturally in heavy mixes, adding depth and dimension without washing out transients or muddying low end.

State Machine Alt Textures

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